Friday, April 22, 2011

Buy A Leaf-Kill A Polar Bear

While I have always said that electric cars are beyond moronic, especially when we don't even have enough power to keep the electricity going during a hot day.
If the fact that the car should only be driven at 38 mph which means, no freeway, and it costs a lot more than even the Prius...never mind a practical car like a Focus.....the car needs to be recharged every 50 miles or so.

AND if turning off one light a day will save polar bears, how about plugging in a car??? WTF? Are you kidding me? This is ridiculous!!

Honestly, SOLAR powered cars would be smart, anything else doesn't solve the problem, it just switches it.

Ironic is the commercial with the polar bear hugging the guy driving it, when they will actually kill more polar bears.

It just goes to show that if something is marketed right, it will sell, even if it isn't helping anything.

UGH..
I totally agree with what this guys said, his blog:
http://hockeyschtick.blogspot.com/2011/03/another-reason-not-to-buy-nissan-leaf.html





Thursday, March 24, 2011

Another reason not to buy a Nissan Leaf: Resale value zip because batteries die within 6-8 years

If the unpredictable limited range, lack of charging stations, and painfully long (minimum 8 hours) recharging time wasn't enough to convince you not to buy the all-electric Nissan Leaf, the Wall Street Journal reveals today another blow that resale values will be hard to come by since the $20,000 battery pack dies within 6-8 years.
Pull the Plug on Electric Car Subsides [paywalled]
Consumer Reports doesn't have good early reviews for Chevrolet's flagship entry into electric vehicles. A top editor from the publication said the Chevy Volt, which has both a plug-in battery and a gasoline engine "isn't particularly efficient as an electric vehicle and it's not particularly good as a gas vehicle either in terms of fuel economy." He concluded that it just "doesn't make an awful lot of sense."
He's right when you consider the cost and performance of PEVs, starting with the batteries, which require major breakthroughs before they will be ready for prime time. A battery for a small vehicle like the Nissan Leaf can cost about $20,000 and still only put out a range of 80 miles on a good day (range is affected by hot and cold weather) before requiring a recharge that takes eight to 10 hours. Even then, those batteries may only last six to eight years, leaving consumers with a vehicle that has little resale value.
Home installation of a recharging unit costs between $900 and $2,100. And don't forget workplace and retail recharging stations, which will be necessary.
Slick TV ads boast PEVs' supposed environmental benefits, but what they don't tell you is that a substantial increase in the numbers of them on the road will require upgrading the nation's electricity infrastructure. Since half of all U.S. electricity is generated by coal, which produces greenhouse emissions, PEVs may not be any better than hybrid electric vehicles that do not need to be plugged in. Meanwhile, new technology for gasoline-powered vehicles has substantially increased miles per gallon, to as much as 35-50 mpg for several smaller vehicles.
If you're looking for a car that makes good economic sense in these tough times, PEVs simply don't make the grade. Unless crude oil prices rise close to $300 per barrel and battery costs fall by 75%, a PEV is more expensive than a gasoline-powered vehicle.

Thursday, April 21, 2011

Interview With Me! Animation Insider

http://www.animationinsider.com/2011/04/stephanie-olivieri/

Stephanie Olivieri Assistant animator/clean up artist-traditional, 2D, paper and pencil and storyboards (boarding, clean-up & revisions)

What is your name and your current occupation?

What are some of the crazier jobs you had before getting into animation?
I worked as a waitress and an actress before animation, so nothing too crazy.

What are some of your favorite projects you’re proud to have been a part of?
Hard to say, honestly I love everything I have worked on for different reasons. Feature films are fun because of how long you are with the characters and crew, commercials and shorts are fun because of the crazy hours and cartoony characters. How did you become interested in animation? I went to an audition for a Disney film and was doodling on my call sheet, and they brought it up.

Where are you from and how did you get into the animation business?
I am from all over really, but came out to Los Angeles for acting. Disney got me into the business by offering me an internship after the audition in above question. I turned that down because I was still acting. A couple years later I was depressed about how hard making a living as an actress was, so I went to see Lion King and a friend brought up the offer and why wasn’t I doing that. I went to the classes at the animation guild for a year and luckily was offered a job after that.

What’s a typical day like for you with regards to your job?
It really depends on the project, but right now I am working freelance, so I get up early, 6 or 7, and draw until 8-midnight depending on how demanding the schedule it. I also will go to meetings and drop off and pick up work. And yes occasionally get a hike, or run in mid day and then continue working late at night.

What part of your job do you like best? Why?
I love that I get to draw for a living and the why is because I love to draw.

What part of your job do you like least? Why?
That work is not consistent and you never know where your next job will come from, how much it will pay, or how long it will last.

What is the most difficult part for you about being in the business?
Finding and keeping steady work.

What kind of technology do you work with on a daily basis?
None really. I draw with paper and pencil, sometimes I scan in scenes, but that’s about it.

In your travels, have you had any brushes with animation greatness?
Yes of course because I have worked at all the major studios and all over the world.

Describe a tough situation you had in life.
Being out of work when animation crashed in 2001- that was the hardest time in my life professionally because the career I had was gone in an instant, or it felt that way. I had a mountain of debt and had to file bankruptcy, it was humiliating and demoralizing.

Any side projects you’re working on you’d like to share details of?
I am also a writer, so I have a lot of TV shows and novels that I work on.

Is there any advice you can give for an aspiring animation student or artist trying to break into the business?
Stay true to what you love about animation, but try to be current with software and programs. Flash and ToonBoom are the two that I would definitely learn if you want to work in 2D. Then of course for 3D there are so many depending on what you want to do whether special FX, gaming, films, etc. Also work hard and if you can focus on one main area. Be nice to everyone and don’t ever stab anyone in the back, not even to get a job. This industry is small and everyone knows everyone. Also remember not to compare yourself to others. We as artists are all different and there is no reason to try to be someone else, and worry about what someone else is doing. There will always be someone better and someone worse than you are. Lastly, draw, draw, draw all the time and study films, books, etc.

Monday, April 11, 2011

Quit Your Bragging-it's Annoying

Do you know someone in Hollywood that knows someone who knows someone who's related to someone who went to school with a guy who sat next to a guy who knows...such and such A lister?

Seriously as if this isn't annoying enough~what about those people-you know who you are-that constantly brag about celebrities that they either have seen or "spent time with"? UGH...For those of us that live in Los Angeles and work in the film industry this happens all the time. It's part of the business.

AND if you are bragging about knowing someone that no one has ever heard of, better to keep it to yourself.

I mean what other industry does this? Do you ever hear of Josephine Office Girl in the midwest bragging about how she spent time with her CEO or client in the lift?

Come off it.

One guy I know is such a poser that he will go to a trendy and well known celebrity hotspot and then send out emails claiming he had dinner "with", Al Pacino, Bieber, and Steven Spieldberg all at the same table-complete LIES!

So for those of you that see Leonardo driving on Sunset in his Prius, it's okay to say, "I just say Leo" but it is not okay to say, "I spent the afternoon driving around Sunset with Leonardo" when you were actually chasing him.